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Alfonso Gumucio Dagron : ウィキペディア英語版 | Alfonso Gumucio Dagron
Alfonso Gumucio Dagron (born in 1950) is a Bolivian writer, filmmaker, journalist, photographer and development communication specialist. His father was Alfonso Gumucio Reyes, a leader of the Movimiento Nacionalista Revolucionario (MNR), Minister of Economy during the Government of Víctor Paz Estenssoro, and Ambassador to Uruguay and Spain. He is the author of several books on film and [communication for social change, as well as documentary films, photographic exhibits and hundreds of articles in journals. He has worked in five continents on social development projects, as a communication for development specialist. Because of his involvement as progressive journalist he has twice been forced to live in exile, first living in Paris from 1972 to 1978, and later in Mexico from 1980 to 1984. He studied filmmaking at the Institut des hautes études cinématographique (IDHEC) and the University of Vincennes, in Paris. Back in Bolivia in 1978 he directed a number of documentaries on cultural and social issues, as he worked at the Centro de Investigacion y Promocion del Campesinado (CIPCA), a Bolivian NGO, and published as a journalist in various daily newspapers and weekly journals. Since the mid-1980s his work in development communication programs has taken him to Africa, Asia, the South Pacific, Latin America and The Caribbean, serving for various international organizations. He worked with UNICEF in Nigeria and Haiti, and as an international consultant for FAO, UNDP, UNESCO, The Rockefeller Foundation, AusAID and Conservation International. He is the Managing Director for Programmes at the [http://www.communicationforsocialchange.org Communication for Social Change Consortium] and familiar with issues of child rights, environment, indigenous populations, arts and culture, human rights, community organization, health and sustainable development. == Books== Gumucio Dagron has published over twenty books, including poetry, narrative and studies on literature, film and communication: ''Provocaciones'', his first book (1977) is a collection of in-depth interviews with 14 important Bolivian writers, among them: Jesus Lara, Augusto Cespedes, Oscar Cerruto, Jaime Saenz, Pedro Shimose, Renato Prada Oropeza and Raul Teixido. His studies on Bolivian and Latin American cinema trace the evolution of this art form in his region and home country: ''Historia del Cine Boliviano'' (Mexico, 1982); ''Cine, Censura y Exilio en América Latina'' (1979); ''Les Cinémas d’Amerique Latine'' (Paris, 1981) written in French, in collaboration with French film critic Guy Hennebelle; El Cine de los Trabajadores (Managua, 1981), and ''Luis Espinal y el Cine'' (1986). Issues of communication, participation and development are at the core of other of his books: ''Las Radios Mineras de Bolivia'' (1989) written in collaboration with Bolivian journalist Lupe Cajías; ''Comunicación Alternativa y Cambio Social'' (1990); ''Conservacion, Desarrollo y Comunicacion'' (1990); ''NGO Puzzle'' (Nigeria, 1993) in collaboration with G.K. Ngeri Nwagha; ''Popular Theatre'' (Nigeria, 1994); ''Making Waves: Participatory communication for social change'' (New York, 2001), a research project for The Rockefeller Foundation, published in Spanish, English and French; and ''Communication for Social Change Anthology: Historical and Contemporary Readings'' (New York, 2006), edited in collaboration with Thomas Tufte, launched at the World Congress of Communication for Development (WCCD) in Rome, October 2006. ''Bolivie'' (Paris, 1981, published by Editions Le Seuil), is an essay on his home country, covering history, politics, culture and other issues. ''La Máscara del Gorila'' (Mexico, 1982), is his account on the Bolivian military coup of 1981 and was awarded with the National Literature Award of the Instituto Nacional de Bellas Artes of Mexico (INBA). His poetry books include: ''Antología del asco'' (1979), ''Razones técnicas'' (1980), ''Sobras completas'' (1984), ''Sentímetros'' (1990) and ''Memoria de Caracoles'' (2000). His short stories, poems and essays have been selected in about 30 anthologies and collections, among them those edited by John Downing, Julianne Burton, Manuel Vargas, Raquel Montenegro, Cecilia Pisos, Víctor Montoya, Rosario Santos, Jan Servaes, Bruce Girard, Paulo Antonio Paranagua, Ángel Flores, Tim Barnard, Sandra Reyes, and Alan O'Connor.
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